Jean Genet

Jean Genet Template Books, Quotes, Biography, Novels
Jean Genet (1910–1986) was one of the most provocative and influential French writers of the 20th century — a novelist, playwright, poet, essayist, and later a committed political activist.

Born on December 19, 1910, in Paris to a young prostitute who abandoned him as an infant, Genet spent his early years in foster care and state institutions. By age 10 he was already accused of theft, and his adolescence was marked by repeated run-ins with the law: time in reformatories (notably the harsh Mettray Penal Colony), desertion from the French Foreign Legion, vagabondage across Europe, prostitution, and multiple prison sentences for theft and other petty crimes.

It was in prison during the early 1940s that Genet began writing seriously. His first novel, Our Lady of the Flowers (Notre-Dame-des-Fleurs, 1943), written on stolen paper and smuggled out, transformed his experiences of crime, homosexuality, and marginality into lush, poetic, and deliberately scandalous literature.

His early prose works — including Miracle of the Rose (1946), Querelle of Brest (1947), Funeral Rites (1949), and the autobiographical The Thief’s Journal (1949) — celebrate outcasts, invert moral values, and explore eroticism, betrayal, and sanctity through degradation with baroque intensity.

Jean Cocteau discovered his talent and championed him; when Genet faced a life sentence after his tenth conviction in 1948, a petition signed by Cocteau, Jean-Paul Sartre, Pablo Picasso, and others secured a presidential pardon. Sartre later wrote the monumental study Saint Genet: Actor and Martyr (1952).

From the late 1940s onward, Genet turned to theater, becoming a major figure in avant-garde drama (often linked to the Theatre of the Absurd and Artaud’s Theatre of Cruelty). His most famous plays include:
The Maids (Les Bonnes, 1947) — a ritualistic exploration of power, role reversal, and class resentment
Deathwatch (Haute Surveillance, 1949)
The Balcony (Le Balcon, 1956) — a hallucinatory brothel where clients enact fantasies of authority
The Blacks(Les Nègres, 1958) — a ferocious ritual play about colonialism and racial masquerade
The Screens (Les Paravents, 1961) — an epic on the Algerian War

After the early 1960s, Genet largely withdrew from literature for nearly two decades, turning instead to radical political activism. He supported the Black Panthers in the United States (meeting figures like Angela Davis), the Palestinian cause, and other revolutionary movements.

Genet died of throat cancer on April 15, 1986, in Paris. His final major work, the memoir-like Prisoner of Love (1986), reflects on his time in the Middle East.

His writing remains intensely divisive — poetic, blasphemous, sexually explicit, politically incendiary — yet widely regarded as some of the most original and transformative of modern literature.

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